Works

2016

Root – for Violin and Moog Synthesizer; commissioned by Da-On Dance; collaboration with choreographer Jin Ju Song-Begin

Wilderness – for Percussion Quartet and Live Electronic Processing; 60 min; commissioned by Brian Brooks Moving Company

2015

Wait Nearby – for Two Violins and Electronics; Commissioned by KEIGWIN+CO; collaboration with choreographer Loni Landon

Strange Garden – for 2 Pianos, 2 Bass Clarinets, 2 Percussion and Electronics; 13 min commissioned by The Juilliard School; collaboration with choreographer Helen Simoneau

Division – for amplified and processed pieces of wood; 13 min; commissioned by Brian Brooks Moving Company

NEVEREND – for Processed Voice and Electronics; 55 min; commissioned by Da-On Dance; collaboration with choreographer Jin Ju Song-Begin

 

2014

and then there was one – for String Quartet and Electronics; 15 min; commissioned by The Juilliard School; collaboration with choreographer Loni Landon

we.are.here. – for Violin and Electronics; 15 min; commissioned by Da-On Dance; collaboration with choreographer Jin Ju Song-Begin

Tranimal: Year of the Tranimal  – pop album with electro-acoustic cellist Chris Lancaster

 

2013

THIRST – for Cello and Electronics; 55 min; commissioned by Da-On Dance; collaboration with choreographer Jin Ju Song-Begin

Kwaidan – chamber opera for Mezzo Soprano, Baritone, Violin, Cello and Electronics

Flex is Kings – film score composed in collaboration with cellist Chris Lancaster

 

2012

Continuous Replay 2012 – for String Octet and electronics; commissioned by the Bill T. Jones/Arnie Zane Dance Company

Sit, Kneel, Stand – in collaboration with Andrea Miller; commissioned by Gallim Dance; composed in collaboration with Chris Lancaster

14R – video score in collaboration with Yara Travieso

Flight Distance – electronic score; collaboration with choreographer Helen Simoneau

 

2011

Exit – for Electronics and Cello; commissioned by KEIGWIN + CO

The Mind Stuff Variations – for Piano, Violin, Cello, and Electronics; commissioned by Janis Brenner and Dancers

SET – for 7 amplified and electronically processed strings; collaboration with choreographer Yara Travieso

The Eight Propositions – collaboration with choreographers Emio Greco|Pieter C. Scholten

Orange Garden – collaboration with Choreographer Jin Ju Song-Begin

V1-V3 gallery video/sound installation in collaboration with Yara Travieso and Mira Lehr

 

2010

Left Exit – for Piano, Cello and Percussion; commissioned by the Sean Curran Dance Company

Chord(s) – for Piano, Cello and Percussion

Open – for any instrumentation

108 – for amplified and processed gongs and singing bowls; collaboration with choreographer Jin Ju Song-Begin

 

2009

Fondly Do We Hope, Fervently Do We Pray – collaboration with choreographer Bill T. Jones; commissioned by the Bill T. Jones/Arnie Zane Dance Company

Under – for Violin & Electronics; collaboration with choreographer Jin Ju Song-Begin, performed at the Reverb Dance Festival

 

2008

Serenade: The Proposition – collaboration with choreographer Bill T. Jones; commissioned by the Bill T. Jones/Arnie Zane Dance Company

Found in April – for Electronics; collaboration with choreographer Jin Ju Song-Begin

 

2007

Control – for Piano & Electronics; collaboration with choreographer Jin Ju Song-Begin

Line(s) – for Piano, Cello & Percussion

Duet – for Piano & Cello

Excerpt – for Piano

Resolute – for Violin, Cello, Alto Saxophone, Piano & Percussion; collaboration with choreographer Alan Hineline; Commissioned by Utah Regional Ballet

 

2006

Confines – for Orcestra; collaboration with choreographer Alan Hineline; Commissioned by The Juilliard School

Keep in Touch – for electronics; collaboration with choreographer Jin Ju Song-Begin; Commissioned by Dance Bienalle; Tokyo, Japan

Quartet II – for String Quartet; collaboration with choreographer Alan Hineline; Commissioned by Ballet New York

 

2005

Hol Hwang (Ecstasy) – for Piano; collaboration with choreographer Jin Ju Song-Begin, Seoul, Korea

Thresholds – for Piano, Cello & Percussion collaboration with choreographer Alan Hineline; Commissioned by Ballet Academy East

 

2004

Twist – for Piano Quintet; collaboration with choreographer Alan Hineline; Commissioned by The Alabama Ballet

Between the Lines – for Saxophone Quartet; collaboration with choreographer Alan Hineline; Commissioned by The Richmond Ballet

 

2003

Sonata for Alto Saxophone and Piano; commissioned by Keith Bohm

Fold – collaboration with choreographer Gerri Houlihan; Commissoned by University of Richmond

 

2002

The Tempest – for Soprano, Alto Saxophone, Bass Clarinet, Violin, Cello, Piano & Percussion; collaboration with choreographer Ron Cunningham; Commissioned by The Sacramento Ballet

JFOAA – for electronics; collabortation with choreographer Alan Hineline; Commissioned by Regional Dance America Pacific

 

2001 

Without Walls – for Piano and Electonics; collaboration with choreographer Ron DeJesus; Commissioned by Hubbard Street Dance Chicago

Rough Draft – for Electronics; collaboration with choreographer Ron Cunningham; Commissioned by The Sacramento Ballet

Torrential Verse – for Electronics; collaboration with choreographer Emily Stein; Commissioned by Zephyr Dance

Bustin’ Out – original music for the play; Commissioned by The Baum Haus

 

2000 

Static Interruptions – for Saxophone, Violin, Marimba & Electronics; collaboration with choreographer Alan Hineline; Commissioned by Alabama Ballet Theatre

Variable X – for “The Beast” (custom percussion instrumentcollaboration with choreographer Robert Kelley; Commissioned by Santa Cruz Ballet Theatre

Trash – cross-disciplinary work involving dancers as musicians; Commissioned by The Studio: School of Classical Ballet

 

1999 

Pivot – collaboration with choreographer Robert Kelley; Commissioned by Santa Cruz Ballet Theatre

Woyzeck: original score – Commissioned by Monsterless Actors, New York, NY

Bestiary – collaboration with choreographers Leslie Swaha and Therese Adams; Commissioned by Crash, Burn & Die Dance Company

 

1998 

Untitled for Prepared Piano – collaboration with choreographer Robert Kelley; Commissioned by Utah Regional Ballet

Singular Triplicity – collaboration with choreographer Robert Kelley; Commissioned by Santa Cruz Ballet Theatre

 

1997

Fragments – collaboration with choreographer Robert Kelley; Commissioned by Ballet Theatre San Jose

Untitled for Piano – collaboration with choreographer Robert Kelley; Commissioned by the Ruth Rosenburg Dance Ensemble

 

1994 

Hamlet: original score – Commissioned by Ohio University School of Theatre

 

1993

The Mandragola – original score; Ohio University School of Theatre

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